While many viewers came to recreate the past for themselves and U2 , the first thing they experienced was like a time warp: the English trio Muse playing in the National Stadium. The vision of a band that, to continue with the continuous growth of popularity they have shown in recent years, likely to become the main course Ñuñoa coliseum sooner than later. Credentials have to do that, as presented in this second coming, now as a support act, "after having filled the Teatro Caupolicán in 2008. A Chilean debut on stage was already entrenched in a respectable fan base, which has been developed to the point of getting some reputation, at least on the Internet, claiming failed a standard for their favorite show.
Muse Those fans who paid for the input for viewing solely in this second chance, surely were warmly shortly after his 45 minutes on the stage of Chile's most important exhibition . The British group had eight well-chosen songs, all of his popular repertoire (like 'Starlight', 'Time is running out' and 'Uprising'), which served as a great introduction to the least initiated the public segment of U2. And is that the Irish quartet, in its third arrival-known rally on home soil to a wide range of people, who were able to witness, before the main course, a standard of this generation in his element: a large room in which to deliver full its consolidated live show.
After the opening number, shortly after 21:30 hours, U2 appeared on the imposing structure designed to rotate 360 \u200b\u200bdegrees (which was visible from outside the stadium!) For inviting us to be part of a choreographed dance in each of his movements. Without giving any room for failure, the band split with 'Beautiful Day' a day which happened to meet step with all the requirements to become memorable: a setlist based on greatest hits and executed with clinical precision, besides the inevitable touch of theatricality, a tribute to icons (Victor Jara, Nelson Mandela, The Beatles), demagogy and even sense of humor (with Bono singing a piece of the eighties' I Want to Know What Love Is "by Foreigner) that have transformed the Dublin assembly in a separate annex institution in the history of rock.
The criticism of the group, especially the messianic complex of their leader and the maintenance of a social discourse that appeals to the equal-being rock stars who have luxurious lives and charge high prices, are absolutely unfounded. But, acting under the business logic, the quartet responds perfectly as a service to a customer (the public) and fully complies with the contract set (input), providing a show that is unmatched in the world and it also has artistic value whose influence has been expanding over the years. No struggled to find some band U2 on every stadium in the last 10 years, from Radiohead and Coldplay to Arcade Fire, Muse's own past.
So, without repeating or wrong, the Irish quartet deployed in our country each and every one of his tricks in a concert well suited to these times, in the sense of wonder of the musical public seems dull because of overstimulation available. As the tour 360 º is made to impress, forcing the group to force their chances of doing so and the main winners of this effort were more than 70 thousand people who came to see them. To arouse the most basic and primitive people (emotion), the Irish call for a complex network of non-musical tricks that are developed in a series of events (his songs) that follow one after another with different results, in any case will vary depending original strength of the issues. A notorious example was the speed dip is' Get on your boots' executed just after the classic "I will follow '.
Fortunately for all, U2 know what your strengths and how to use them to cover up the weak. Laid hands on a few tracks of their latest albums, the less fortunate for a large arena (with the exception conversable 'Elevation' and 'Vertigo') than their classics, but the spectacular audiovisual increased its credit, to the extent of atrophy shake ossified as a single "I'll go crazy if I do not go crazy tonight. " And when they come to his vast catalog of proven successes, which formed the basis of its more than two hours of recitation, the results are glorious postcards of the status of a full National Stadium singing 'I Still Have not Found What I'm looking for 'or the opposite reaction: silence at the interpretation of' One '. Moreover, since such care was not even enough to dust off 'One Tree Hill' (a tribute to Victor Jara's album "Joshua Tree" to play some live), but did so with the singer Francisca Valenzuela as a special guest. Around midnight, after the second encore, the quartet Chile said goodbye, leaving the impression that the only ones who could overcome the staff are themselves imposed. It will be for next time. Or until one of his disciples says otherwise. MUSE
'Plug In Baby'
'Resistance'
'Time Is Running Out'
'United States Of Eurasia'
'Uprising'
'Starlight'
'Stockholm Syndrome'
'Knights of Cydonia 'U2
' Beautiful Day '
' I Will Follow '
' Get On Your Boots’
‘Magnificent’
‘Mysterious Ways’
‘Elevation’
‘Until The End Of The World’
‘I Still Haven’t Found What I’m Looking For’
‘One Tree Hill’
‘Pride (In The Name Of Love)’
‘In A Little While’
‘Miss Sarajevo’
‘City Of Blinding Lights’
‘Vertigo’
‘I’ll Go Crazy If I Don’t Go Crazy Tonight’
‘Sunday Bloody Sunday’
‘Scarlet’
‘Walk On’
‘One’
‘Where The Streets Have No Name '
' Hold Me, Thrill Me, Kiss Me, Kill Me '
' With Or Without You '
' Moment of Surrender '
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