The seven songs from the first volume of "Serendipity", and a reasonable time not to lose the thread, say that there is a zealous author exposing no more than necessary. And the tear, which abounds on the board, it uses itself to the task of reviewing the book itself (there is a clear continuity with the great "Love the King", 2008) and explore the realm of soul until is excruciating. "Long live the night and end the pain," Gustavo Leon singing 'Viva La Noche', more and more blues and afflicted. An imprint which reaches its climax at the close with 'Nothing Compares' original Prince and made famous by Sinead O'Connor, but never as palpable as the cover of Jiminelson. The rest is history, and that passion.
Thursday, February 17, 2011
Nickelodeon Studios2011
pollution - Vol 1
Gustavo Leon, the leader of Jiminelson distinguishes between members of the rock generation Sub 30 for old school management codes beyond their years. The vocalist and singer, the only member to be a duo until 2009, presents the third and last names of his works. On the cover, simple and straightforward design, we read that this is the Jiminelson Experience (a salute to the flag of the immortal Hendrix) and the album is called "Serendipity Vol.1." So, rather than a project Music and more than an album, it is an organism that is incomprehensible if you try to break down in parts.
The seven songs from the first volume of "Serendipity", and a reasonable time not to lose the thread, say that there is a zealous author exposing no more than necessary. And the tear, which abounds on the board, it uses itself to the task of reviewing the book itself (there is a clear continuity with the great "Love the King", 2008) and explore the realm of soul until is excruciating. "Long live the night and end the pain," Gustavo Leon singing 'Viva La Noche', more and more blues and afflicted. An imprint which reaches its climax at the close with 'Nothing Compares' original Prince and made famous by Sinead O'Connor, but never as palpable as the cover of Jiminelson. The rest is history, and that passion.
The seven songs from the first volume of "Serendipity", and a reasonable time not to lose the thread, say that there is a zealous author exposing no more than necessary. And the tear, which abounds on the board, it uses itself to the task of reviewing the book itself (there is a clear continuity with the great "Love the King", 2008) and explore the realm of soul until is excruciating. "Long live the night and end the pain," Gustavo Leon singing 'Viva La Noche', more and more blues and afflicted. An imprint which reaches its climax at the close with 'Nothing Compares' original Prince and made famous by Sinead O'Connor, but never as palpable as the cover of Jiminelson. The rest is history, and that passion.
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