Dadalú Finally in largaduración solo debut. Period of their upcoming album, shows the singer unfolding in retro and revitalizing key ideas of the bands with females in his voice. Collective Member Ethereal, World Music, Pat Smear, Iris and Julia Rose. Sokio collaborator, and Gepe Tonossepia. The serial novel Saldías Daniela (en adelante, Dadalú) comenzó a escribirse en los primeros años de la década pasada y ahora está a punto de publicar su volumen más importante: Período. Un disco solista anhelado por la cantautora y esperado por quienes la vienen conociendo hace más de un lustro. La placa será liberada para descarga a través de dos netlabels nacionales: Michita Rex, la casa de proyectos tan interesantes como Maifersoni y De Janeiros, y Ponk, el sello que cobija a Deplasticoverde, Francisco Pinto y los retornados Les Ondes Martenot.
Pese a lo auspicioso de los datos, la protagonista de la historia está nerviosa por dejar a merced del escrutinio público una batería de temas que considera from you and does not respond to contemporary canons. "They were stuck with the super-retro sixties, wave and Phil Spector wall of sound. Also with orchestras as well as Herb Alpert, Lalo Schifrin, Hugo Montenegro, soundtracks to Hair by Galt MacDermot and Mad Monster Party by Maury Laws. So I recorded in the study of Pancho Straub (engineer Stew, The Prisoners and Yajaira, among dozens more) in one shot. I wanted to do something kind Tapestry by Carole King, "he said.
"I did these songs because I always compose, but I never end up on a disk. Jan Fakuta encouraged me, it is orderly, not like me. I'm super is dispersed I'm always tired in things, but I can not materialize. Was the concern of the bands when punk girl I liked and just went to study music, the more I fell in love with the groups. The first time I made an aim for the race, I felt the crack. I began to rehearse with friends, with my little brother, my boyfriend (Jorge "Coco" Cabarcas, former drummer and current alcayota Tobias Bongo Bongo). He came into my mind the idea of \u200b\u200bcapturing all at the same time, because I found very scattered record one by one, I wanted it to live. What we played was the same that was saved in demos, "says the singer.
And it was. In September 2009, Dadalú commanded two full days of sessions in which captured the bulk of the 10 songs on the album, not counting the scratches of DJ Vaskular (Collective colleague Ethereal), trumpet and cello Felicia Morales (and frequent contributor Vapourboat Gepe). To get the remaining money, which would allow the voices ready to leave and the rest of the instrumentation, the novel called for a Fondart soloist with the help of Sokio, who finally took her into a cubicle home in his apartment to complete this necessary, after that the project be approved. Between one step and another, there was a hiatus of weeks following the earthquake fault that the adobe walls of the enclosure to fall Straub Francisco.
With a surplus of setbacks, the choice of singer-songwriter was taking control and mix with her boyfriend, despite not knowing how to handle Ableton Live, the software required to do so. "No cachábamos anything, but we were so obsessive that the first single ('Thank you', available for download from now) we made 47 mixes. We spent because I do not want to sound like Chilean rock, type o Chancho en Piedra Tits, I liked when girl, but not anymore. My music is a fine line, if I let her in some way, can be equal to the songs and groups. I wanted to sound the battery short, as the New Wave, which above all else fails, but in between, with a porous medium texture. The trumpets also, I wanted them to be fine and with honor, and when you go to take a cup of tea, porcelain sounded. Things were not so well recorded, it brought us some problems, but I tried to solve it instead of saying 'Dad, can I borrow silver creek? " Ni cagando, how expensive, if I am already old. I have 28 years, I continue studying after removing USACH Translation, now I'm finishing Projazz music, which is what I always wanted, "he says.
The previous songs are far from facets previously shown by Dadalú, which can be found on the network in the collections of the late Neurotyka seal or bootlegs of live Pat Smear. The album indicates the desire of its creator to vindicate the nobility of the soloists of the past, instead of delving into rap or electronic experiments, the genera with which parent the artist first. "I have fear that people do not understand our mix, but my record is very significant. To me it is important and is also a risk, some who have heard me ask why it sounds so, I'm exposed to these things because the music is public. People who criticize the concept applies records of what is good or what they like, if Suddenly not get into those parameters, fucked. After fishing a lot and nobody say 'hey, the bad stuff. " I have wanted to arise because I study this, but neither thought the album from the art, the only thing that influenced me the school was really sound, with instruments. There was not much awareness behind the musical architecture, "he says.
That boldness, more logical-born hormone also called plaque, which accounts for the learning time that meant his bill, but also plays on the double sense. "The rule has always struck me as symbolic, wave bleed once a month and be biologically predetermined to feel more. At least I creek affects the mind and emotions. January meeting which has metaphorical potential because it is a life that never was. Strikes me that not much talk about menstruation and it is so taboo. So the album is called, "he explains. Although the problems have marred much of the process, Dadalú is proud of her first child and defends it with affection. "It has songs that I like to hear, super pop, love, more conventional and passes fed states. I like it, is honest and original because I do not know what other band has done something similar. It has a stamp and personality, for better and for worse. "
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